# What are the frequencies of music notes?

In the table of frequencies below, you'll find A = 440 Hz, and then

A# = 466.16 Hz,

B = 493.88 Hz,

C = 523.25 Hz, etc.

Also, you can find Middle C: 261.63 Hz.

## Table of Musical Frequencies

**Note**

C

C#

D

D#

E

F

F#

G

G#

A

A#

B

**Frequency**

130.82

138.59

146.83

155.56

164.81

174.61

185

196

207.65

220

233.08

246.94

**Note**

C

C#

D

D#

E

F

F#

G

G#

A

A#

B

**Frequency**

261.63

277.18

293.66

311.13

329.63

349.23

369.99

392

415.3

440

466.16

493.88

**Note**

C

C#

D

D#

E

F

F#

G

G#

A

A#

B

**Frequency**

523.25

554.37

587.33

622.25

659.26

698.46

739.99

783.99

830.61

880

932.33

987.77

**Note**

C

C#

D

D#

E

F

F#

G

G#

A

A#

B

C

**Frequency**

1046.5

1108.73

1174.66

1244.51

1318.51

1396.91

1479.98

1567.98

1661.22

1760

1864.66

1975.53

2093.00

These are found using

frequency `= 440×2^(n//12)`

for `n = -21, -19, ..., 27`

### Where did this formula come from?

This problem reminded me of Compound Interest that we met earlier in Money Math. The frequency needs to double every `12` notes (because there are `7` white notes and `5` black notes in each octave.)

Here is a graph of that relationship: frequency `= 440×2^(n//12)`

This is an exponential curve, that we met earlier in Graphs of Exponential Functions.

## Equal Tempered Tuning

An interesting problem has faced musical instrument makers for hundreds of years. To get a "perfect 5th" (the interval between A and the E above, say), we need to play a note which has `1.5` times the frequency of A.

On a violin (or viola or any fretless stringed instrument) this is possible, and we can play a beautiful, perfect E at `440 × 1.5 = 660\ "Hz"`. But notice (from the frequency table above) that a piano playing the same note will play E `= 659.26\ "Hz"` [just a little flat!].

Around 400 years ago, keyboards (usually harpsichords and organs) were tuned for a particular key (say D major), so that all the instruments, especially strings, sounded "right" in that key. The harpsichord sounded great in that key, but pretty awful in other unrelated keys (say B flat).

Around the time of J. S. Bach, it was decided to tune
keyboards so that the notes were evenly spaced. Then the keyboard
could sound better in any key. This is called **equal tempered tuning**.

Unfortunately, it means all stringed instruments have to allow for the slight differences in tunings between instruments. Strings are usually happiest when playing with other strings only, for this reason.

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